Registered under the National Arts Council of Zimbabwe

14 January 2011

TRIBUTE TO JULIUS CHINGONO: SYMPATHY SIBANDA

In life, Julius Chingono was an enigmatic, yet vibrant man. You would not help loving him as a fatherly poet. He was a source of knowledge. So approachable and down-to-earth was he that at a certain literary discussion in Harare I drew near to him to ask what poetry has done in his life.
“Muzukuru you should never ever give up. The money I used to build my house in Norton came from my writing…,” he said to me.
From then on, I knew I would also make it in the arts fraternity. To me, even in death, he continues to be an inspiration. An artist never dies and though we bade farewell to a ‘pen-master’ his voice lives on and will transcend from this generation to the next. His works are timeless and his word will continue to inspire us all.
Rest in peace, Sekuru, your words still ring in my mind. “You should never give up, muzukuru!”

Sympathy Sibanda is the author of the anthology ‘Matters of Life’, (Veriest Solutions International, 2010)


Chingono (kneeling) with young poets at a literary discussion in 2009 in Harare

13 January 2011

THE YEAR AHEAD

The year 2011 rather started sadly for us and Zimbabwe at large with the loss of a writer and poet Julius Sekai Chingono early this January. He was also a very supportive Win-Zimbabwe Board member whom we shall collectively commemorate for a certain day to be announced in the future. Writers International Network Zimbabwe would like to announce that it will start its activities in April. By then, our calendar of activities will  also be announced and sent to all our  members. 2011 is the year of expansion, in mind and organisationally. Our year now runs from April to December unless we have a pressing activity that needs to be done earlier than April. Meanwhile, take care.

All The Best

Win-Zimbabwe

11 January 2011

IN MEMORY OF JULIUS SEKAI CHINGONO (1946-2011) – PART TWO


The late Julius Chingono

We publish an article about the late celebrated poet and writer Chingono which appeared in the Herald with additional information. Julius Chingono was/is an international writer as there are various works forthcoming featuring him.

Poet-To-Poet
By Beaven Tapureta

The last time I visited Chingono it was in November 2010 to ask for some ideas about the 11 December Writers End of Year Get Together event and also to invite him for the Board meeting to discuss the same issue.  I had just been published in a Chinese anthology of African poetry called No Serenity Here (World Knowledge Foundation, 2010). Excited I was about the book that I carried it everywhere. In preparation for the Get Together at the Book Cafe I  had to go to Norton to drop an invitation at Vimbai High for the students and to see Chingono at his home on the same day. Even on the day, I patiently rode  to Norton, dropped the letter at Vimbai High, and later made a beeline for Chingono’s home, with No Serenity Here exposed in my hand.

 If you visit poets with a new poetry book, don’t expect that they will let you leave their house or office with the book. Such immediate magnetic power resides between their minds and words written as poetry.

Chingono congratulated me and asked if he can borrow the book for a few days.  We agreed  that the book will be returned on 11 December when we meet for the End of Year Get Together. Chingono wanted so much to involve Vimbai High in Win-Zimbabwe’s writing activities and as our Board member he had planned for this year to lead Norton as its resident writer.

Creative writers and poets performed, read, and discussed different topics on 11 December. Chingono read his poem much to the humor of all those who were present. Naturally everyone wanted the event to be an informal one, where all are free to free their potential. Chingono had to leave soon after he read his poem. He had a family function to attend that very same afternoon in Kuwadzana. Nobody thought about No Serenity Here as it was a busy day. He had sacrificed to attend the Get Together despite having another important function where he was needed.
Few days after 11 December, I called to find if he was fine, with Chingono apologizing for having forgotten No Serenity Here at home on 11 December.  We agreed once again that  I would visit him at his home, to review the wonderful 11 December event and also collect the anthology. Who was to know then that this would be the last phone conversation between us? The next call only came early in morning of January 3, but to say Chingono is no more. How hard for the heart, dear writer, to come home and find you not there, but only No Serenity Here!

Zimbabwe Loses Gifted Writer Chingono
By Beaven Tapureta
The Herald, 10 January 2011

Chingono, a second-generation writer in the local literary history, was a board member of Writers International Network Zimbabwe and served as a resource person at various local and international authors’ forums, including the Poetry International Festival in Rotterdam, Netherlands in 2004.

Writers who attended the WIN-Zimbabwe Writers End of Year Get Together on December 11 will recall a healthy Chingono rendering his humorous poem called ‘Dai’, which ridiculed “after-thoughts”.

Condolences have begun pouring in from various sections of the book industry with Amabooks saying they have been greatly saddened by Chingono’s death as they were recently involved in a project with him.
“As all those in the writing community will, we are shocked and saddened by this news. We have just finished a book of short stories and poems by Julius and John Eppel, titled ‘Together’ which will be co-published in the near future with the University of New Orleans Press. He was a special person who spoke  up for the underdog,”  said the Bulawayo-based publisher Amabooks.
Another publisher, Weaver Press, said they have been greatly shocked by Chingono’s death.
“It is very hard for me to believe,” said Irene Staunton of Weaver Press.
Writers International Network Zimbabwe, which he served as board member, said “We have lost a dedicated guide, a true father. Zimbabwe has lost a great writer just when Chingono had joined other writers in trying to change the writers’ situation in Zimbabwe. Ma his soul rest in peace and we are together in the grief with the family.’
Born in 1946 in Msasa in Rhodesia, Chingono spent most of his life as a rock blaster at mines.
His first and only Shona novel Chipo Changu was co-published in 1978 by the Literature Bureau and Longman Zimbabwe. Hi play Ruvimbo, published in 1980, investigates culture regarding disability in society. The play won 2nd prize in a writing competition organized by the Literature Bureau in 1975.
In 2001, Musa Publications published his collection of poetry called Kazwi with illustrations to the poems done by Hassan Musa.
In 2004, he attended the Poetry International Festival in Rotterdam, Netherlands, where he was involved in poetry readings and discussions on the poetry of Pablo Neruda and the poetic verses of the Bible.
It was at this conference that his poetry received world recognition, culminating in Chingono becoming one of the 160 poets selected from all over the world for the Poetry Jubilee CD box of recordings from 40 years of the Poetry International Festival.
The set comprised 15 poetry CDs featuring the best performances by influential poets from across the world. However, due to financial constraints, Chingono could not attend the official launch in Rotterdam.
Chingono also attended another writers’ conference at the University of Port Elizabeth where he presented a paper titled  “Zimbabwe – Writing and Publishing”.
In 2006, Weaver Press published his Not Another Day, an English collection of short stories and poems which are “imbued with a clarity of language that achieves its intended effect upon the reader – realising humor in certain sad situations”.
For his primary education, Chingono went to Mabvuku School but it was at Nyatsime College in Chitungwiza that the writing bug caught up with him.
In an interview in 2009, Chingono said he came across Nzvengamutsvairo by Bernard Chidzero at Nyatsime and immediately fell in love with the pen. It was just the sight of Chidzero at the back of the book that made him realize that he can also be a great writer and he took his studies seriously.
Later, he spiced his reading list with books such as Patrick Chakaipa’s Karikoga Gumi Remiseve, Kenneth Bepswa’s Ndakamuda Dakara Afa and many other books written by first generation writers.
Chingono’s dream to assist upcoming writers came true when early last year Writers International Network Zimbabwe selected him to be one of the board members with a desire to promote writing and publishing in Zimbabwe.
A sensitive poet, sometimes humorous, Chingono’s Shona poems were published in early anthologies such as Nhetembo, Mabvumira eNhetembo and Gwenyambira between 1968 and 1980. The anthologies were popular to Shona literature students during the time they were selected as educational set books.
His English poems have appeared in various South African magazines with the recent publication being the anthology State of the Nation: Contemporary Zimbabwe Poetry (The Conversation Paperpress, 2009, UK) which was preceded by a small but powerful anthology called Intwasa Poetry (2008, Amabooks, edited by Jane Morris).
While Norton at one time reverberated with young poets raring to invade whatever platform they found, Chingono helped in the editing and publishing of a regular magazine called The New Voices Magazine together with another writer Aleck Kaposa.
He was the only accomplished poet among the editorial team of this magazine. The others were Melania Mancuveni and Peter Matangira. The magazine has since folded due to lack o funding.
With all this experience, Chingono stood out as one of Zimbabwe’s greatest poets who humbly followed their  dream to see change in the literary sector.
Young poets who regularly meet at poetry functions at the Book Café and other venues will greatly miss such a loving, friendly pot who believed that age is nothing but a number.
May his soul rest in peace.


08 January 2011

IN MEMORY OF JULIUS SEKAI CHINGONO (1946-2011)

The late Julius Chingono was laid to rest on January 5 at Norton cemetery. Various artists and organisations  including Weaver Press, National Arts Council, Spanish Embassy and others, converged to pay their last respects to a man who entertained, befriended any writer regardless of different views or ages. On behalf of fellow Zimbabwean writers and poets Chirikure Chirikure performed a poem in honor of Chingono and described him as a writer who accommodated all poets in his life and the youthful poets who usually perform at the Book Cafe had nicknamed Chingono as "Mudhara Judza". This became his stage name even though it was un-legislated in the poetry circle.Writers International Network Zimbabwe joins in the celebration of Chingono's life, a life lived so well with others, knowing that there are lots of publications, local and international, in which Chingono was featured last year and will be featured in the future. All that is here is not all that we know him for, but these are some of the memories.
ABOUT WORDS

Listen with care
slippery words
slide away with the air.

Talk with care
slippery words
slip off the tongue.

Handle with care
this side up
contains words.

Stand well away
falling words
when mouths open.
By Julius Chingono (Intwasa Poetry, AmaBooks, 2008)

CHINGONO’S CONTRIBUTION TO POETRY AND LITERATURE
By Beaven Tapureta
(First Published in The Zimbabwean, 2009)
Author and poet Julius Sekai Chingono’s fiction and poetry, although humorous, fearlessly tackle socio-political issues in Zimbabwe’s post-2000 era.
A sensitive poet, with many Shona poems published in anthologies such as Nhetembo, Mabvumira eNhetembo and Gwenyambira between 1968 and 1980, Chingono’s English poems appear in various Zimbabwean and South African magazines.
His stories in Not Another Day (Weaver Press, 2006) are imbued with a clarity of language that achieves its intended effect upon the reader – realizing humor in certain sad human conditions. Election violence, political hypocrisy, culture distortions, HIV and AIDS, child sexual abuse, etc, have rocked contemporary Zimbabwe and Chingono has dealt with these issues superbly in this collection of 10 short stories and 27 poems.
As Zimbabwe currently seeks international solidarity to hasten her economic recovery, it is worthwhile to question our own innocence and fairness when this solidarity comes in the form of aid. What is intended for the masses usually finds its way into the hands of a few in high echelons of power, or those connected to the political masters of that time. Beneficiaries are chosen on the basis of their political affiliation.
This situation is clearly illustrated in the story “An Early Supper” where a donation is made to the community to assist it fight the HIV and AIDS scourge. Publicity-hungry Minister of Health, Chipikiri, delivers a speech at the donation ceremony. But afterwards his words do not serve any purpose at all as he lures and attempts to rape one of his party’s cadre’s daughters in his office.
A group of four social workers in the short story “Tomorrow is not another Day” discover that they have done nothing while an orphan named Fungai, aged nine, dies of sexual abuse in the home of her abuser (vaHove). Orphans Fungai and her brother Masimba have been dependent upon the organization represented by the four social workers and yet their condition seemed to have worsened.
“Are we Together” expresses the hooliganism that was tied to fetishist politics. In the story youths are provided with beer at rallies as payment for unleashing violence upon innocent people. ‘Are-we-together’ becomes the name of a beer-guzzling militia man.
Buried amidst controversy
Universally, funerals are held in awe of the deceased and yet in some cultures the traditional conduct of funerals has changed due to modern influences. The deceased are buried amid controversies. Even in Western countries we have heard of arguments over estates, custody of children, etc. In Chingono’s story “Sister- in –Law”, relatives of the deceased, Tarisai and Shuva, are two snobs who want to control their mother’s funeral proceedings while at the same time harassing their sister-in-law Tracey who did all she could to be with their mother before she died.
Then the story entitled “The Funeral” depicts the disintegration of cultural values at such functions. Two camps emerge at the funeral with one arguing that the coffin carrying the deceased must be put in the big beautiful house bought for the deceased by her son, and the other arguing that, traditionally, the coffin with the deceased should lie in the kitchen. The pall-bearers are confused as relatives exchange bitter words. When the coffin does not seem to fit through the door of the big house, the son’s gift for his late mother, they put it in the kitchen. But something happens when they are about to carry it out to the graveyard. The coffin, apparently manufactured by some unscrupulous coffin maker, breaks and the dead body falls out onto the ground.
In the story “Sahwira’s Condoms” Muchena has been playing the traditional role of sahwira at funerals rocking a certain family. He learns that the successive deaths (including the present death) in this family are being caused by AIDS and he decides to strictly play his duty as sahwira in a way that leaves mourners astounded. He refuses to be silent as he openly speaks against wayward sexual behavior, the main cause of AIDS. He decides to conduct a solo AIDS awareness campaign right at the funeral by distributing condoms to the mourners.
Chingono was born at a commercial farm in 1946 to the east of Harare which is now an industrial hub of the city – Msasa. An asphalt company is doing business where Chingono was born and where his family huts stood in the late forties after WW2.
Second generation writer
Chingono is a second generation writer who witnessed and endured the bitter political events of the 60’s and 70’s. He went to Mabvuku School for his primary education, but it was at Nyatsime College where he came across Nzvengamutsvairo by Bernard Chidzero. Just the sight of Chidzero at the back of the book inspired Chingono to pursue his education vigorously. He later read Patrick Chakaipa’s Karikoga Gumi Remiseve, Kenneth Bepswa’s Ndakamuda Dakara Afa and a host of other books by early Shona writers.
His first Shona novel Chipo Changu co-published in 1978 by the literature Bureau and Longman Zimbabwe is not found in the bookshops and this, allied with some other factors, could explain why Chingono is not so popular to some people in his own country.
His play “Ruvimbo” (1980) won second prize in a writing competition organised by the Literature Bureau in 1975. It stands out as one of the best works of fiction Chingono has ever written. The play exposes how culture and social status affect a person’s response to disability. Ngoni Tichafa, a radio journalist born in a well-to-do family, is at crossroads with his family for deciding to marry disabled Ruvimbo, a talented poet. In some societies, physical deformities used to be and/or are still associated with certain superstitions and are considered as spiritual curses.
In 2001 Musa Publications published another collection of Chingono’s poetry called “Kazwi” with illustrations to the poems done by Hassan Musa.
In 2004 he attended the Poetry International festival in Rotterdam, Netherlands where he participated in poetry readings and workshops. He was involved in discussions on the poetry of Pablo Neruda and the poetic verses of the Bible. He also attended a writers’ conference at the University of Port Elizabeth where he presented a paper on “Zimbabwe – Writing and Publishing'. With all this experience, Chingono stands out as a Zimbabwean writer of distinction.
WORLD RECOGNITION FOR CHINGONO
By Beaven Tapureta
(First published in Zimbabwean on Sunday, 2009)
Zimbabwean author and poet Julius Chingono is one of 160 poets selected for the Poetry Jubilee CD box set of recordings from 40 years of the Poetry International Festival.
The set comprises 15 poetry CDs featuring the best performances by influential poets from all over the world. His poems were recorded when he attended the festival in the Netherlands in 2004. Chingono, due to lack of financial help, couldn’t make it to the launch in Rotterdam this year. Ten other African poets are included: Toyin Adewale, Ama Ata Aidoo, Kofi Awoonor, Francis Bebey, Femi Fatoba, Haji Gora Haji, Jack Mapanje, Ben Okri, Ahmed Sheik Nabhany and Wole Soyinka. Ten South African poets also have their own CD in the set and include Mazizi Kunene.
GO WELL MUDHARA WEDU, ZIMBABWE WILL ALWAYS REMEMBER YOU

04 January 2011

RENOWNED POET AND WRITER JULIUS CHINGONO IS NO MORE

Writers International Network Zimbabwe learnt with great sadness the death of Julius Sekai Chingono, a renowned poet and writer.
Chingono passed on on Janaury 2 in Norton at Norton General Hospital after a short illness. There is so much we can remember about this writer but the greatest grief at Win-Zimbabwe will be the knowledge that Chingono, as our Board Member, had begun adding ideas for the 2011 Calendar of Activities. Many of you will remember how well he looked on 11 December 2010 at the Writers End of Year Get Together at the Book Cafe.
http://win-zimbabwe.blogspot.com/2010/12/faces-and-voices.html

Chingono worked very well with us as he was our guide, considering the fact that he had seen it all from the time Zim literature began to grow in pre-independence times. Surely, God's will cannot be twisted by any human being, Him alone knows our destiny.  To the Chingono family, we are together in the grief but lets celebrate Julius Chingono because he left an undying legacy, the stories and poems, and memories our friendship with him. He will be buried tommorrow January 5 in Norton. May his soul rest in peace.

27 December 2010

WINZ Newsletter, Issue No 9


            
Welcome to the ninth edition of our newsletter, hoping to find you in good health at this festive moment. Please enjoy.

Argentinean Writer visits Zimbabwe

Carlos Gamerro, author and translator from Argentina, and Victoria Noorthoorn, an independent curator from the same country, gave a talk about critical enquiries and curatorial practices respectively at the National Art Gallery today December 27 from 10:30 am to 12:30 pm. 

The programme was dubbed "Reflections from Contemporary South America". 

Gamerro mainly dwelt on his first novel Las Islas (The Islands) which deals with the war fought between Argentina and Britain some time back. He read extracts from this novel, explaining what the war (known as the Falklands War) meant to the Argentinean people.
Gamerro, who writes mainly in Spanish, said in Las Islas he wanted to tell the lies and the truth about war, thereby merging history and fiction. He said he was so touched by interviews he held with the young boys who participated in the war whose strategic plan was a disaster.
Las Islas will be published in England in 2012 as The Islands by a publisher called And Other Stories Press.

Noorthoorn, who is preparing for the 11th Biennale de Lyon in France, spoke at length about her works in the previous years around the world. Noorthoorn urged artists not to tackle stereotypical issues but to explore and bring in new ideas to their works.
"It is hard to produce or create from a place outside oneself," she said.
Her concept of originality was supported by local author Blessing Musariri who said that even in writing writers have tended to believe that anything negative sells.
Noorthoorn touched on the problems faced by curators around the world, including censorship.
This event was attended by various visual and literary artists who were interested in how best they can bring new aspects to their kind of art.

Gamerro was born in Buenos Aires in 1962. Apart from his first book, he has published El sueno del senor juez, El secreto y las voces, La aventura de los bustos de Eva and short story collection called El libro de los afectos raros. He has also written criticism and translated into Spanish Graham Greene's A World of One's Own, W.H Auden's The Dyer's Hand, Harold Bloom's Poetry and Repression and many others. 

The programme "Reflections from Contemporary South America" was the third edition of the National Art Gallery's Harare Conversations, a platform created for the exchange and discussion on diversity of issues relevant to global contemporaries.

With Harare Conversations, the National Gallery of Zimbabwe aims to "reengage the local and international art community" by providing for local artists to dialogue with international artists.



Win-Zimbabwe mull integrating mbira group



Hatineti Mbira Crew at the Writers’ End of Year Get Together, 11 December


Win-Zimbabwe will next year consider integrating Hatineti Mbira Crew so that the group provides traditional entertainment at all Win-Zimbabwe functions, adding an important dimension to the way the association will conduct itself.

The Epworth-based group put up an impressive performance at the Book Café during the Writers’ End of Year Get-Together two weeks ago. Although they played for a short time and were not able to do their farewell slot at the end of the programme due to time constraints, they proved a force to reckon with.

Having mbira at writers’ functions has proved to be a cultural way of getting into the mood for anything that writers want to do. Mbira is also good background music for poetry performances, which are part of the writers’ world.
Later on, it would be possible to produce a Win-Zimbabwe Poetry CD/DVD with mbira music as its exclusive background.

Currently Christopher Mtetwa (far left in the picture), who is also involved in various national AIDS awareness campaigns, leads the group.





21 December 2010

MERRY XMAS AND HAPPY 2011

Reviewing all our posts on this Blog, and what we have managed to accomplish, is a delight. A delight in that we did all we can with the little from our pockets that we had, sometimes taking from our families' budgets. The Blog carries the real story of Win-Zimbabwe, 'a slow, honest, gripping melody'. The networking and learning was good for us as a growing association.  We have come this far because of the dedication to literature development, a dedication that characterises Zimbabwean writers and colleagues who gave a nod to our desperate knocking as we looked for a chance to be ourselves. We know we were not able to reach out to all of you because of the afore-said constraint but we always believed that you were with us in spirit. In fact, many of you bombarded us with emails  wishing you were here with us to attend to our goal-oriented activities. We love you all.
Win-Zimbabwe is never a false dream, but a challenge for us to explore the real position of a writer in society. And no matter how the writer looks, scruffy or tidy, he/she receives from Above, if at all he/she is a writer. Our minds as writers connect to the Great Consciousness, a gigantic store of knowledge only accessible to those to whom the 'insanity' is given, the insanity to be whoever you want to be, weaver of words. A long road awaits us all who are only armed with nothing but this little thing...call it...writing. It does not pay to write, worse when its poetry, and yet some of us rush to that which is but a desert. The reason for pursuing our dreams as aggresively as such is because we were born to create palaces in the desert of money, where there is no rain we make rain, where there is no grin we make green and pave the landscape of the heart with words, birds, music, silence, a movement, in the trees. We build life where there is death. Such is our character, but we are only human.
Parents, teachers, community leaders, friends and relatives, must indeed understand that all the social ills we face in society can be solved through reading and writing. This is a craft (and a culture) only left as cure for the poverty threatening to tear our Africa apart.
Indeed, it has been a wonderful year working with you all.
For 2011, we leave it to Almighty, for only him can bless our road. But blessed we were, and blessed we remain.
We would like to wish you all a

HAPPY XMAS AND PROSPEROUS NEW YEAR, and remember to buy a book by a local writer as an Xmas gift for your loved ones. May God bless you.