Registered under the National Arts Council of Zimbabwe

06 May 2015

WIN Newsletter, Issue No 89



 
EDITORIAL

14TH NAMA winners honoured: (From left) Memory Chirere, author of NAMA award winning Bhuku Risina Basa Nekuti Rakanyorwa Masikati, Beaven Tapureta, Director of WIN-Zimbabwe which won NAMA online media award for its blog (this blog!) and Cynthia Marangwanda, author of NAMA award winning Shards
(Photo: Tinashe Muchuri)

We are grateful to the National Arts Council of Zimbabwe for promoting artists in our country. Today, May 6, 2015, NACZ honored Harare-based winners in the 14th edition of National Arts Merit Awards. NACZ was in Bulawayo last week to honour NAMA winners based in that region. Artists in Harare received each a G-TEL phone, courtesy of G-TEL which has come on board to support arts and culture. The phones will indeed enhance artists' business. The NAMA Awards prize top up ceremony took place at the Book Cafe, Harare. 
Meanwhile, we hope you enjoyed the just ended Harare International Festival of the Arts (HIFA) that was happening in the city and what with the thrilling performances the artists rendered each day of the festival!
We herewith feed you with yet another issue of our ambrosial newsletter and if truth be told, we are so grateful to you for taking the time to read our newsletters. Please enjoy.

TRAVELING INFLUENCES MY WRITING- KELVIN MANGWENDE


(Report by WIN-Zimbabwe)



 Kelvin Mangwende

Kelvin Mangwende is a writer who believes in putting into creative writing his personal analysis of the world around him. He does this through his plays and poetry.
In a brief chat with WIN, Mangwende revealed that he is passionate about themes of greed and corruption and how these evils dismantle society. He shows this in his plays which he says follow the ‘old world’ model.
So far Mangwende has published two Shona plays Chaminuka and Chimurenga and a poetry anthology titled The Rainbird is Dead. All three books were published by an emerging publisher Tatenda Munyuki Publishers.
About his poetry collection The Rainbird is Dead he said he wrote it while he was in Namibia, teaching at a pre-school. He lived in Namibia for three years and the cultural exchange he had with Namibians inspired him so much so that poetry oozed from him as an expression of his deeper feelings.  
He has also traveled to countries such as Angola, Botswana, Mozambique, South Africa and the different cultures he experienced in those countries have had a lot of influence on his writing.
Chaminuka, his Shona play, is described as having an “interesting plot that covers diverse themes ranging from power, corruption, gender, chauvinism and feminism, among other issues” (Silence Charumbira review in the Newsday, 2014).
Asked what he thinks about the local book publishing industry, Mangwende said big publishers shun budding writers.
“Publishing chances in Zimbabwe are very slim. I submitted about six manuscripts at a local well known publisher in 2003 and the editor said my work is good but not good enough to be considered marketable school material,” complained Mangwende.
His feelings about the local publishing industry are common with new writers who have now found haven in emerging small presses rescuing them to break into print. But again, to the conscious, one question appears when one looks around and sees various publishing houses sprouting: is it a sign of writing growth we have been awaiting or it is the coming of the localized vanity press against which we have been warned all the time?
Born in 1986 in Murehwa, Mangwende did his primary at Farai Primary in Chitungwiza and then pursued his secondary education at various schools. He also has poems published in two local anthologies featuring various poets titled Sons and Daughters and Black Stars. Mangwende says he loves reading the works of the Zimbabwean writing icon Charles Mungoshi.  

PRESS RELEASE/SARABA MAGAZINE



Saraba Magazine Issue 17: SURVIVAL

Saraba is pleased to announce the publication of its seventeenth issue on the theme of “Survival.”

A word from the 1590s, “survival” implies the “act of surviving,” of “continuation after some event.” To “survive” suggests to outlive, and to continue in existence after the death of another. From Latin supervivere, “live beyond, live longer than”; from super “over, beyond” + vivere “to live.”

In our recent issue, we put together poems, stories and portraits that articulate the nature and expediency of survival. The issue includes the poetry of Kelechi Nwaike, Tonye Willie-Pepple, Adeyinka Elujoba, Paul Wairia, Aisha Nelson, Jen Thorpe, Kate Hampton, Sarah Haughn, and Omukuvah Otido. It includes fiction by Damilola Yakubu, Glendaliz Camacho, and Alexander Ikawah, and non-fiction by Kabu Okai-Davies, Hal O’Leary, and Itoro Udofia. The portraits are by Nigerian photographer Logor’ Muyiwa Adeyemi. Our contributors are from Nigeria, Kenya, Ghana, the United Kingdom, and U.S.A.

As always, the magazine is available for free download on our website. Visit http://www.sarabamag.com/the-survival-issue/ to download a copy of the issue, and do not hesitate to spread the word.

Enquiries about our next issue, reproduction, and collaboration can be sent to the attention of our Managing Editor, editor@sarabamag.com.

 
THE YOUTH PERSPECTIVE
With


Mimi Machakaire


My Mother, My Inspiration

What does it mean to be a writer in Zimbabwe? Yes times are difficult and you have to really establish yourself before you can go anywhere. You have to work from the ground up and hopefully in the next few years if you’ve worked hard enough people will start to know your name as a storyteller. Yet, you have to know the right people to get to where you want to go. The question that now remains is: what does it mean to be a woman and a writer?
To be a woman cannot be defined within the English dictionary because it can only give you the biological term of what it means to be a woman. As an individual, you can define that through how you were raised. 
For example, my mother (insert: Dr. E.A.J Tumbarare) has been a great inspiration to me. She is a great woman. She taught me to be strong, intelligent and to fight for what I believe in. She has taught me to work hard so that I won’t have to be dependent on anyone in the future. She has taught me that life is not all about wanting to be looked after by someone else but to know how to look after myself first. 
When I told my mom that I want to become a writer she encouraged me to do just that. She knew that I had the talent to become someone who is amazing in the future and with that, she has supported me through every step of the way. 


At least there is hope...

Although it could be a little saddening that there are not a lot of woman writers in Zimbabwe that the younger generation can look up to, at least there are a few who have internationally made it. Had it not been for the main writers’ organisations such as Zimbabwe Women Writers (ZWW), Zimbabwe Academic and Non-Fiction Authors, Zimbabwe Writers Association, Writers International Network Zimbabwe and other small groups of writers, there would be a total paucity of motivation for women who want to express themselves through creative writing. These organisations hold workshops, literacy training courses and other activities. The aforesaid are some of the perfect grassroots associations that I know can inspire other women writers out there to take part in this craft we all know and love. For instance, ZWW has published various writings by Zimbabwean women.

Apart from writing, younger women can be part of certain organisations that encourage the empowerment of women. This empowerment can act as a baseline for further motivation to write and what’s more, these organisations can act as research centres for one’s stories! Women inspire women! There are groups such as Women Action Group (WAG), a human rights group, Indigenous Business Women Organization (IBWO) which develops business women.
These groups are encouraging women, including those that write, to be greater than they are today.
Writers such as the late Yvonne Vera, Tsitsi Dangarebga, Virginia Phiri and a lot more established ones across Zimbabwe are an inspiration to us young female writers. The deal is that writers do not succeed because they are a woman or man but because of the hard work that they invest in their work as I said earlier.

I hope and pray that these amazing women who have made it before us continue to lead us kids into a better future not just with our writing but to teach us how to become someone that we can be proud of. We need such leaders who can inspire the youth and set the example by showing us that the world can change into something more than what it is today. Because the question is not why there are not enough woman writers in Zimbabwe but it is: what are the ones who are there now doing to help make a difference?  So far I think that we are off to an incredible start and maybe in the next 20+ years we might turn into something so wonderful that the world out there will look to us and say they made it. Let’s write!


(Mimi Machakaire is the author of Princess Gangster (2014, BookLove Publishers, Gweru).

CHIDAVAENZI’S 2ND NOVEL NOW AVAILABLE


 Chidavaenzi poses with copies of his books

The waiting is over as Phillip Chidavaenzi’s second novel The Ties That Bind published this year by New Heritage Press is now available in Zimbabwe. Readers can now place orders via texting, calling or Whatsapp on +263 772952851 or +775521665. It’s US$12.00 per copy. Let us read!



POETRY

YOU ARE INVITED

Poetry Thursday

 
This Thursday Bulawayo-based poet H.R.H. Khumbulani Maphosa (pictured above)takes to the stage as he reads a special selection of his poems from his soon to be published English poetry Of Hyenas, Cheetahs and Vultures

Where: Indaba Book Café, Bulawayo (9th Avenue & J Tongogara St)
Date: Thursday, May 7, 2015
Time: 5.30pm -6.30pm
Fee: $3 (and you get a free drink)

It’s an evening not to miss! Maphosa is the author of the mind-blowing Ndebele poetry anthology ‘Vuka Mthwakazi’
 


Revive Africa

By Simbarashe Chichinye (above), Bulawayo


In the terrains below the mountains,
There I found affluent fountains.
I used to capture moments by ink.
Drawing life on the granites by the river’s brink.
I used to indulge in the ecstasies of the mbira.
Drinking and dining in reminiscence of the bira.
Music and dance swept away dirges.
Bliss and gaiety were badges
On the faces of my bona fide friends.
Now vilified and adulterated my world trends
To an intricate maze of downright disorder.
Yet Mother Africa aches with desire for order

‘Hail Mother Africa!’
I bellow from between the two streams.
From this hollow I sound my screams.
What has become of my sister in the far south?
Grown fat in treasure, and so stout!
Groans and laments have reached my ears.
My guts have succumbed to fears:
Will my sons and daughters survive the rage
That has escaped like wild birds from a cage?

Banished be this blood feud and quarrels!
Peace is chained by hatchets and gun barrels.

Revive Mother Africa!
My garden is rich in its soils
Yet my broken hoes have rendered worthless my toils.
From the West I seek a hoe to borrow.
But they trample on the profuse of my sorrow.
In the days yore they ate of the same field
And seized all grapes it used to yield.
My fight and passion for freedom is mistaken for hatred
All in my bid to make this domain sacred.
Revive, Mother Africa, revive!

(26 year old Simbarashe Chichinye is an aspiring poet living in Greenhill, Bulawayo. Chichinye is moved to write by everyday situations and he says he is making his first attempt at a novel about human trafficking.)


FAR, FAR BACK IN TIME… ‘PAFUNGE’


 Dr. Thompson K. Tsodzo, one of respected old generation of Zimbabwean writers, pictured here at a Zimbabwe Writers Association meeting this year in March. Pafunge, his Shona novel of 1972, is just unforgettable!


***

 

THANK YOU FOR READING

LET’S MEET AGAIN IN OUR NEXT NEWSLETTER

 




20 April 2015

WIN Newsletter, Issue No 88




EDITORIAL




 Our inspiration:The late great writer Yvonne VERA

We welcome you to our 88th newsletter, hoping that you are all fine. WIN will continue to use ICT to advance its passion, hence our planned poetry magazine is slowly taking shape. It consists of poems being shared by members on the official WIN WhatsApp Group platform. We love you all and please enjoy.


MUCHURI IS MUNYORI’S SHONA EDITOR





Tinashe Muchuri (above), also known as Mutumwapavi in the poetry performance circles, is unstoppable. His blog, Mudara raTinashe Muchuri, is a place where you can cherish the beauty of our mother language.  No doubt Muchuri is gifted. He has gone a step further from writing to editing. Recently, an online journal Munyori Literary Journal, took Muchuri on board as its editor for submissions in Shona language. What’s more, the ‘Chigaro’ poet has proved Shona is his forte a Shona poetry anthology he edited titled Dzinonyandura has been selected as an Advanced Level Shona literature (Section B) set-book. Those who wish to submit their Shona material for the Munyori Literary Journal can email editor@munyori.com.

Ndipo Powoti Ndikumirire
Na Tinashe Muchuri

Ndiri kutotizawo zviri kundimhanyisa
iwe woti ndikumirire
ndiwanikwe ndiri pano ndimire
asi hauna zviriyo shure kwako
zvakatakura zvinotyisa nokuvhundutsa
kana kuti hauna nzeve dzokunzwa mutsindo
wazvo zvinokutevera uchifamba
kana paya paunomhanya
pamwe gotsi rako rakasiyana nerangu
kunzwa kurema kweamira mugotsi
usandimise mhanya newe
usazowanikidzwa umire ndapfuura
unokara kuzotendeka matsimba
kana iro gwara randatora
usandimise siya ndimhanyeyo

(Taken from his blog Mudara raTinashe Muchuri and published here with permission)



A LOOK AT ‘MOMBE YAMAI’
With
Supa Mafuta (WIN Epworth Branch)

Mombe YaMai (Bhabhu Books) written by Chenjerai Mazambani is a 2015 National Arts Merit Awards nominated children’s book. The story is about a young boy Tanatswa who is very curious to know why one of their cows named Roora behaves the way it does. The story is set in the village and revolves around Roora which bears such a name because it was brought as part of the bride-price (roora). The author uses the cow to teach children about the behavior of a cow that is about to bring into the world a calf. Roora is always isolated when grazing, the reason why Tanatswa’s father tied a bell around its neck. The bell serves to easily track down Roora in the event that it gets lost.
Mazambani has a good command of the Shona language from which children will learn a great deal about cows and the traditional relationship between them and humans. The smooth flow of the story is supported by illustrations done by Kudakwashe Chuma. The story has a limited number of characters which in my opinion is appropriate for children. Mombe YaMai will play a great role in teaching children of today something about the traditional wisdom which was used long time ago by our elders to communicate with their beasts.


AM Tales - APRIL- MAY TALENT SEARCH

(This message is brought to you from Tatenda Charles MUNYUKI PUBLISHING)


Are you an ambitious writer, with some written work (as in novels, short stories or poems -collections) that is readily available and that you desire to be published?


THE BEST WORK (Novel, Play, Poetry) TO BE TURNED INTO VISUAL or AUDIO MEDIA FOR CHRISTMAS 2015's EVE PREMIER


Get in touch NOW:

Email: tcmpublishingzim@gmail.com
Whatsapp/txt: +263 737 283 187


PLEASE NOTE: WRITERS to ONLY SUBMIT their work after contacting the details above. Work submitted without following this procedure WILL NOT BE ACCEPTED!


YOUTH PERSPECTIVE

With


Mimi Machakaire



The Process of Finding a Job

Towards the end of high school we are pressured with the thought that at some point or another we have to find a job. Especially one that suits your qualifications for the position in life you would like to become. We go to counselors, teachers, parents and many more adult figures who can tell us what we’re good at depending on what our mind-set is.
The fortunate few who have figured out what they want are at times told they can’t do what they say they can do. For instance, let’s say a child would like to become a journalist and they go to their teacher with this information but the teacher tells them that they are not performing well in English and maybe they should try an alternative. That is very discouraging to say the least because those types of kids will have their mind set on that one thing and finding an alternative is not an option. They will go through every possible solution before admitting defeat. Once they have that goal in mind, the steps to achieving it will come and they know it won’t be easy but they are willing to take the risk.
For the ones who are still lost they will sadly make more mistakes along the way. They will go through school thinking “I have to find a job that makes money” instead of thinking “I want to find a job that will pay and make me happy.” They might even go to college wanting to study law knowing that they will eventually make money and with that they will spend more than half of their lives studying something that they’re not even passionate about, only to realize their true desire later on in life and become conscious of the fact that they wasted all that time (and school fees) studying the wrong thing. After which they will try their best at attempting to find the path that they were supposed to be walking on all this time.
For those lucky ones who know what they want to be and they are actually good at it, they are given higher expectations. They actually have the most pressure because sometimes the moment they slip some adult figures will wonder what happened and scold them for being “lazy” and that might make them lose their hope. Nonetheless that little moment of doubt will only be but a phase. They will find a way to get back up again and they will still work that much harder towards success.
Finding the perfect career is not that simple for all of us. People are different and from what I’ve seen most of the older generation can’t seem to accept that it takes a bit longer for some kids to understand who they are as an adult and what they would like to become. The process of finding a job that suits ones needs is a long and winding road that is covered in many pot holes. Knowing how to dodge those pot holes is another story but once we have finally discovered who we are it would have been well worth the wait. When we look back at the mission impossible task we thought we’d   never reach one statement will always come to mind…….“I struggled but I did my hustle and here I am today.”  


CONGRATS TO MEMORY CHIRERE


Magdalena Pfalgraf who is translating Memory Chirere's Shona collection into German

NAMA Award-winning Shona poetry collection Bhuku Risina Basa Nokuti Rakanyorwa Masikati will soon be available in German, says the author Memory Chirere on his blog. It will be called 'Ein unnützes Buch, es wurde tagsüber geschrieben'. Chirere also gave us a taste of the German version of one of his poems called 'Muna Leopold Takawira'. To celebrate this achievement of Shona language and Chirere's writing, we publish the poem in both German (taken from his blog) and Shona languages below (courtesy of Chirere).


Auf der Leopold Takawira Straße 
 
Ich war auf der Leopold Takawira unterwegs,
auf der Suche nach einem Paar bezahlbarer Schuhe.

Da sah ich diesen riesigen Polizisten,

er führte einen mageren Jungen in Handschellen davon.

So ein kleiner Taschendieb, dachte ich.

Mir gefielen die roten Augen des Jungen nicht,

und auch nicht die langen Hosen,

die bis zu seinen Schuhen mit den schiefen Sohlen gingen.

Aber ich schaute mir trotzdem die Handschellen an, denn

„Ich hasse, was den blinden Impuls des Menschen stört.“

Und:

„Ich weiß nur zu gut, wie sich ein eingesperrter Vogel fühlt.“

Und dann, als die beiden an mir vorbeigingen,

sagt der Junge zum Beamten;
„Ich wusste nicht, dass Du da um die Ecke stehst.

Hab mich wohl verschätzt!“

Den ganzen Tag bis in die Nacht fragte ich mich,

warum die beiden wie Freunde aussahen.

Auf dem Weg zurück,

in das Dorf ihrer Herkunft.


 Chirere (above)

Muna Leopold Takawira

Ndaingunodzikawo na Leopold Takawira
Ndichitsvaga shangu dzinotengeka pandakaona,
hofori yemupurisa ichindundurudza ndonda
yemukomana yakafaswa simbi mumaoko.
“Kambavhawo zvako,” ndakadaro muhana mangu.
Mupurisa paakambomira achimhoresana nevekuziva,
naiko kambavha kakamirawo ndokuteerera.
Handina kuda meso ako matsvuku sechiropa
Nechimudhebhe chaidzika dakara chavhara
Zvibhutsupopai zvine manheya.
Asi maziso angu akadzokera kusimbi,
nekuti ndinovenga zvose zvinodambura mufaro waani zvake.
Zvakare, ndinoziva zvazvinoita kana uri pakamanikana.
Zvino vaviri vachienda kudaro,
ndakanzwa kambavha koti kuzimupurisa:
“Handina kunge ndaziva kuti manga muri paseri.
Iniwo ndairasa nhasi, chokwadi.”
Ndakabva ipapo kudakara kudoke,
ndirare ndichipinduka, ndichifunga kuti:
sei ava vaviri vainge hama nehama dziri kuenda
Zvadzo kumba kwadzo?


 NEW POETRY ANTHOLOGY RELEASED




More about this book coming soon...


**** 

Celebrating 35 years of our post-independence literary journey

THANK YOU FOR READING

 TATENDA

 SIYABONGA